Jem and the Holograms (2015) Review

By Allison Rose   X Formly Known as Twitter
2 Min Read

I can't, in good conscience, recommend this movie to anyone other than soccer moms who are looking to have a mommy/daughter “date” with their little girl before she hits teenagedom

Jem and the Holograms (2015) Review

If I were a young girl between the ages of 6 and 12 years old, I would say Jem and the Holograms is inspirational, moving, fun, and all about girl power.  However, I'm a grown woman, so for me the film was cliché, predictable, cheesy, and unoriginal.  Clearly, I am not the target audience.

Based on the Hasbro toy, Jerrica/Jem (Aubrey Peeples; Nashville) is a shy teenager with loads of talent and a less-than-perfect life.  With a little unknown help from her sister Kimber (Stefanie Scott; A.N.T. Farm), Jem becomes an Internet sensation that catches the eye of music producer Erica Raymond (Juliette Lewis; Natural Born Killers). 

When Erica transforms Jerrica into Jem, and shows her the best parts of fame and success, she is excited about playing the role.  However, once Erica requires Jerrica/Jem to turn her back on her sisters and makes her feel she is losing her own identity to this new persona, Jem starts to question if this is even what she really wants.  Adding to the cheesiness is a Wall-E-looking robot, created by Jem's deceased father, that takes them all on a chase for clues throughout Los Angeles.

While the film itself leaves much to be desired, the cast is ripe with young talent plucked from the plethora of starlets on Nickelodeon and Disney Channel.  Peeples, Scott, Hayley Kiyoko (Lemonade Mouth), and Aurora Perrineau (Chasing Life) are all solid performers with beautiful voices.  They are able to share their screen time with each other and veterans Lewis and Molly Ringwald (Pretty In Pink) without overpowering anyone or blaringly standing out; good or bad.

Otherwise, there isn't much that is salvageable about the movie.  The formula plot is nothing new, different, or exciting, and the overall feel is boring and ironically uninspiring.  Jem and the Holograms is no different from many of the other pre-adolescent movies made for Nickelodeon or Disney, and I'm not sure why anyone would shell out good money to see it when they can watch reruns of so many other likeminded films on the aforementioned channels at home, for free.

There are few catchy tunes and lots of flash - one scene reminded me of a Lady Gaga video - to enthrall the prepubescent demographic, but why do we need another girl's movie of this nature when we could simply YouTube old Hannah Montana shows?

I can't, in good conscience, recommend this movie to anyone other than soccer moms who are looking to have a mommy/daughter "date" with their little girl before she hits teenagedom and starts rolling her eyes at the mere thought of being seen in public with her mom.  Bonus points to any father who takes his child to sit through this 2-hour snoozefest with a "message".

I'm not sure what Director Jon M. Chu (Justin Bieber Never Say Never) or Producers Scooter Braun (Speaking of Justin Bieber) and Jason Blum of Blumhouse Productions (yes of the horror film genre) were thinking when they decided to make this a feature film, but it wasn't a good idea.

Grade: D

Cast:
Directed By:
MPAA Rating: PG
Running Time: 118 minutes
Distributed By: Universal Pictures

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For more information about Jem and the Holograms visit the FlickDirect Movie Database. For more reviews by Allison Rose please click here.

Jem and the Holograms images are courtesy of Universal Pictures. All Rights Reserved.


FlickDirect, Allison   Rose

Allison Rose, a Senior Correspondent and Critic at FlickDirect, is a dynamic presence in the entertainment industry with a communications degree from Hofstra University. She brings her film expertise to KRMS News/Talk 97.5 FM and broadcast television, and is recognized as a Tomatometer-Approved Critic. Her role as an adept event moderator in various entertainment industry forums underscores her versatility. Her affiliations with SEFCA, the Florida Film Critics Circle, and the Online Film Critics Society highlight her as an influential figure in film criticism and media.




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