By Stephen Compall
May 16, 2010 01:18 AM EST

Robin Hood Theatrical Review

Robin Hood Theatrical Review
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This latest adaptation of Robin Hood is quite careful in the way in which it connects itself to the traditional legend.  The dénouement serves as a sort of origin story for the Robin Hood of legend, and it is fairly believable in its inevitability, both as legend and as the natural outcome of the preceding events, that it well rewards those preceding events.  Do not be mistaken — these final moments are fluff; we must go earlier.

We come to the big action climax.  Director Ridley Scott (Gladiator, A Good Year), it seems, has learned his lesson from his previous action outing with Russell Crowe (Gladiator, A Good Year), and has placed the most visually spectacular action scene at the end of the film rather than at the beginning.  The standout here is Prince John (Oscar Isaac, The Nativity Story, Che: Part One), a character with quite a few nuances, given the source material.

The "action" segment and the epilogue cover a minority of the running time, however, as the bulk of the film is devoted to Robin's journey to and subsequent life in Nottingham.  The transition to the later parts feels rushed and clumsy, almost as if the story wished to dwell here a little longer.  And right it should, as all of the film's gifts may be found only here in abundance.

Robin Hood in this part effortlessly combines love, play, philosophy, and war, often at the same time, and does so without asking us to accept nonsense.  It prefers human to archetypal demons, and asks no more of its heroes.  It enables the later part of the film to fulfill the legend without demanding that the impossible happen.

The romance of Robin and Marian is lighthearted, natural, and a pleasure to watch unfold.  Marian (Cate Blanchett, The Lord of the Rings, Elizabeth) is always charming, without begging the audience, and is full of modern sensibility.  This is far from being out of place; I cannot imagine how better we might see why Marian would have Robin, or vice versa.  A great deal is owed to her for illuminating the Nottingham segments, and by extension the entire piece.

In one thematic sense, Robin Hood asks us to accept the inheritance of will from father to son.  This is the one bit of plot glue that stretches believability.  I'm open to the idea, however, that things are intended to work this way in the legendary world of Robin Hood, and even that it may be true in certain cases.

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MPAA Rating: PG-13
Running Time: 140 minutes
Distributed By: Warner Bros.

For more information about Robin Hood visit the FlickDirect Movie Database.

About Stephen Compall

FlickDirect, Stephen  Compall

Ostensibly a programmer from faraway places, Stephen recognizes that making up your mind about movies and television is a simple matter of imposition in the form of review, and he who controls minds controls the world. No word yet on how that second part is progressing. After seeing many films, a few good, for FlickDirect, he returned to faraway places, but still checks in from time to time. Read more reviews and content by .

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