The Abyss is an exercise in experimental and rogue filmmaking that is perhaps one of Cameron's most well known signatures.
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There is no doubt about it, 'Wonka' is a 'magical treat' that the whole family can enjoy.
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Considered to be semi-autobiographical, The Boy and The Heron, evokes strong emotions even while the viewer is left uncertain to where the adventure is taking them.
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John Woo, known for his signature filmmaking style, subtly alters course in Silent Night, diverging from his usual techniques.
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Thanksgiving is gory, gross, sick, and demented with a few laughs thrown in for good measure.
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Despite impressive stunt choreography in 'The Marvels', the film grapples with significant shortcomings that stunt work alone cannot overshadow.
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Parachute is engaging and 'in your face' without being preachy.
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Regardless of whether or not this biopic is accurate, it was uncomfortable to watch on several different levels which only adds to the annoyingly slow pace of Priscilla.
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If you settle in and don't give up after the first hour, Killers of the Flower Moon will be worth it in the end as it is a brilliant piece of filmmaking.
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The cast is excellent, taking Betts, Doug Wright (Quills) and Jonathan Harr's (A Civil Action) words and transforming them into a range of emotions.
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