"Downton Abbey: A New Era" has new beginnings and sad endings, as well as steady continuations of the family dynasty. It's an absolute must-watch for any fan of the franchise.
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Phase four of the MCU has been disappointing for the most part and I’m sad to say Thor: Love and Thunder does nothing to dispel that label.
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As with everything Illumination and Minions, the animation is excellent and the characters are extremely detailed.
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Boomerang is classic Murphy with an ensemble cast full of talented actors.
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Scott had a knack for drawing out emotions from his actors, which in turn, creates strong performances and a movie in which audiences can become emotionally invested.
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Between Luhrmann’s interesting decision to focus on the singer’s relationship with his manager and Butler’s outstanding performance makes this a one-ticket that is worth the price of admission.
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Pereira has a keen eye for details and interesting angles, giving the viewer a true sense of just how physically large Ustad, his mate, Noor, and their two cubs are against the vast landscape of Ranthambhore.
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The best part of The Unbearable Weight of Massive Talent is how these two men get along and create a “bromance”.
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Morbius fails to grab the audience from the beginning and a plot that has quite a bit of potential, simply put, falls flat.
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For Ford, portraying Indiana Jones offered some similarities to his role as Hans Solo while one major glaring difference was the addition of formal schooling.
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