Before The Wiz was adapted to the screen in 1978, it was a successful Broadway musical. The original stage production was more successful than the film. Earning numerous Tonys, including Best Musical, The Wiz: The Super Soul Musical "Wonderful Wizard of Oz" proved that a familiar story can be reimagined for any audience. Currently playing at Dr. Phillips Center, the revival version of The Wiz has a modern element that almost becomes a new character in the story.
The current tour version of The Wiz celebrates its 50th anniversary. For a book and score to have stood the test of time is few and far between. Even though adaptations have been made, the reality is that the emotional connection that the audience has to the characters, their plight, and their journey continues to resonate. Without the heart of the story, this musical would not have its longevity.
Even though the story of the Wizard of Oz has been told and retold, The Wiz is more than just a journey to find the way home. As all the characters learn, there is no “easing” down that road. Everything is a conscious choice, and those decisions matter.
Since The Wiz has been part of pop culture for such a long time, many people know a few songs by heart. Even if people think that “Ease on Down That Road” was a Michael Jackson song, the reality is that familiar notes invite the audience to delve deeper into the experience. This musical is far from a jukebox sing-along. It is a moment to contemplate choices.
Dorothy, played by Dana Cimone, has the biggest arc in the show. At first, the audience feels her insecurities, doubts, and even despair. The longing conveyed in “Soon As I Get Home” is more than wishing to be swept away and returned to Kansas. It is a desire to find strength, confidence, and community.
In her portrayal, each scene builds her self-reliance. The vocals get more powerful, the emotion is heightened, and the confidence is bolder. As the final note of “Home” hangs over the audience, everyone is convinced that Dorothy is on her way to a fulfilled life.
While Dorothy is the heart of the show, Scarecrow, played by Elijah Ahmad Lewis, can steal the spotlight in the ensemble moments. He might not have a brain, but he has found a way to have all eyes drawn to him. From his energized dance moves to his vocal range, his performance is a highlight of the show.
A signature of The Wiz is the celebration of musical genres. Pop, jazz, gospel, and funk transition from one to the other. Instead of a cacophony of sounds, the style choices help to define both the characters and the moment.
Listening to “Don’t Nobody Bring Me No Bad News” has everyone feeling as if they have gone to church on Sunday morning. When that spirited song can be followed by quiet, contemplated moments, it shows how all music has common ties. It serves as a reminder for people to look past differences and find connections.
In this revival, a modernized element creates another layer to the story. While the additional material by Amber Ruffin keeps it timely, the choreography by JaQuel Knight deserves special recognition.
While Knight’s signature style from Beyonce’s “Single Ladies” video is not necessarily on stage, the talented choreographer understood the task of adapting the visual for the modern day. The dance moves do more than just set the scene. They almost become their own character.
When a musical can showcase dance as an integral part of the story, the audience becomes mesmerized. In a world where people’s attention spans are continually reduced, these moments that draw people in are vital to the performance’s success.
Whether it is the first time seeing The Wiz or reconnecting with a favorite story, the National Tour delivers what theater audiences want from a musical. High energy, strong performances, and heart have everyone excited to find their road to the theater.
The Wiz plays Dr. Phillips Center in Orlando, Florida, through October 5, 2025. Additional tour dates around the nation run into 2026.
Photos provided by Dr. Phillips Center.
Tags: the wiz, broadway revival, dr. phillips center, musical theater