A year after her mom passed away, Adelaide (Lupito Nyong'o; 12 Years a Slave) returns to her childhood home for a family vacation. When her husband, Gabe (Winston Duke; Black Panther) suggests they go to the beach, Adelaide reveals that she had a traumatic experience in the house of mirrors there and reveals there was another little girl who looked exactly like her in the funhouse. Adelaide believes this girl is "out to get her". While Gabe may secretly believe his wife is going a little crazy he placates her until the power goes out and suddenly there is a family eerily standing in their driveway.
When Gabe tries to get rid of them he finds the family under attack. As these strangers hold the family hostage, they can see these beings look exactly like themselves. But why they have these seemingly murderous doppelgangers is a mystery. As Adelaide and her family seek shelter and safety, they learn that there are millions of these "beings" all over the world hunting and killing their human counterparts. When Adelaide returns to the house of mirrors in an attempt to save them all, we learn the horrible, ugly truth as to who and what these things really are.
Nyong'o leads a terrific cast who must play dual roles in this dark, mystery, thriller. Watching each of them play both their "normal" human as well as their demented counterpart is a study in acting 101 – creating different characters to fit the tone. Duke offers a different type of persona than he displayed in Black Panther. Gabe, in true Peele fashion, is the comic relief in this scenario offering some funny one-liners that unfortunately fall flat with his wife. Their kids, played by Shahadi Wright Joseph (Hairspray Live!) and Evan Alex (Kidding) are terrific as they interchange between their two roles.
Peele is a wonderful storyteller offering layered characters and plots that dig beyond the superficial to the gritty underbelly and exposing our societal flaws. He is also a masterful filmmaker in the vein of Hitchcock offering visuals that become embedded in our subconscious. He knows how to create a heightened sense of suspense, which leaves your heart pounding through much of the film.
However, unlike Get Out, I found much of the basis for Us to be, simply put, stupid. I was not as invested in the story as I was with Get Out and I had my suspicions about the eventual plot twist early on so it wasn't that big of a surprised when it was revealed. I also found my angered by the ending as - without giving too much away - I felt the bad guy sort of won.
Us is certainly one of the smarter horror/thriller movies that have come about in the past several years (besides Get Out) and Peele knows how to terrify us without gore or crazy jump scares. He also delivers a message in his films so you leave the theater reflecting on what you saw and what it all means, which is generally different from most horror films today.
Peele shows great promise as a filmmaker and his movies definitely will not disappoint. I just did not quite buy into this scenario as much as I did with Get Out.