The King of Staten Island (2020)
|Writers:||Judd Apatow, Pete Davidson,Dave Sirus|
|Released:||Friday, June 12, 2020|
|Rating:||Under 17 requires accompanying parent or adult guardian.|
Over his storied career, Judd Apatow has elevated a series of promising young comedy talents to their first major big-screen performance, including Steve Carell, Seth Rogen, Jonah Hill, Jason Segel, Kristen Wiig, Amy Schumer and Kumail Nanjiani.
This summer, Apatow directs Saturday Night Live breakout Pete Davidson in a bracing comedy about love, loss and laughter on Staten Island.
Scott (Davidson) has been a case of arrested development ever since his firefighter father died when he was seven. He’s now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister (Maude Apatow, HBO’s Euphoria) heads off to college, Scott is still living with his exhausted ER nurse mother (Oscar® winner Marisa Tomei) and spends his days smoking weed, hanging with the guys—Oscar (Ricky Velez, Master of None), Igor (Moises Arias, Five Feet Apart) and Richie (Lou Wilson, TV’s The Guest Book)—and secretly hooking up with his childhood friend Kelsey (Bel Powley, Apple TV+’s The Morning Show).
But when his mother starts dating a loudmouth firefighter named Ray (Bill Burr, Netflix’s F Is for Family), it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life.
The film also stars Steve Buscemi as Papa, a veteran firefighter who takes Scott under his wing, and Pamela Adlon (FX’s Better Things) as Ray’s ex-wife, Gina.
The King of Staten Island is directed by Apatow (Trainwreck, Knocked Up, The 40-Year-Old Virgin) from a script by Apatow, Davidson and former SNL writer Dave Sirus. It is produced by Apatow for his Apatow Productions alongside Barry Mendel. Together, the duo shared producing credits on the Academy Award®-nominated films The Big Sick and Bridesmaids, as well as This Is 40, Trainwreck and Funny People. The film’s executive producers are Pete Davidson, Michael Bederman and Judah Miller.
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As Covid-19 spreads around the country, many feature film release dates have been pushed back indefinitely or studios are using alternative media (i.e. streaming) to have their films seen. In June, Universal Pictures chose that option when they decided to release the semi-autobiographical, Judd Apatow comedy, THE KING OF STATEN ISLAND. Nearly two months later the film is set to be released on di... More>>
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The King of Staten Island Theatrical Review
The name Judd Apatow (The 40-Year-old Virgin) has become synonymous with successful, comedic films in Hollywood. Pete Davidson (The Dirt) started his career in the comedy club scene and moved up to become a regular on Saturday Night Live. When Apatow directed Davidson in a small role in 2015's Trainwreck he knew Davidson was something special so when Davidson came to Apatow with a screenplay he had co-written, Apatow eagerly jumped on board. The King of Staten Island is loosely based on Davidson's own life and interestingly turns out to be more drama than comedy. However, that shouldn't turn fans of Apatow's/Davidson's away from the film as it has a lot to offer.
Scott (Davidson) is a 24-year-old guy living with his mother and younger sister on Staten Island. Scott's father was a firefighter who was killed fighting a fire when Scott was 7 years old. This tragic event has played a large roll in who Scott has become as an adult. His one ambition is to become a tattoo artist but unfortunately, he isn't that good and his hope in getting an apprenticeship at a local tattoo parlor doesn't come to fruition. When he illegally starts to tattoo a 9 year- old boy, Harold (Luke David Blumm; The Sinner), Harold's father, Ray (Bill Burr; Breaking Bad) shows up at Scott's house and yells at his mother, Margie (Marisa Tomei; My Cousin Vinny).
Ray, who happens to be a firefighter as well, calms down when he learns who Margie's late husband was and instead invites her out for coffee. As the two become closer, Scott is increasingly uncomfortable, especially the idea of Ray becoming his stepdad. Margie comes home one day to find the two men physically fighting and tells them both to leave. With nowhere else to stay, Scott ends up at the firehouse and learns a lot about himself and in what direction he wants his life to head.
Davidson had to play Scott as so much of the story parallels his own life. He obviously drew on his experiences to bring out the emotions he faces in the film. Tomei and Burr are both great and have good chemistry. Bel Powley (The Morning Show) plays Scott's on-again/off-again girlfriend who earns for more that Scott is willing to give. Apatow's real-life daughter, Maude (This is 40), portrays Scott's younger sister Claire who, unlike her brother, has goals and ambitions and heads off to college leave Scott and Margie together. Steve Buscemi (Boardwalk Empire) is Papa, the elder statesman of the firehouse who imparts some wisdom on Scott. What makes his small role so great is that he was a New York fireman before he became an actor.
For the most part, the scenery is rather nondescript which is unfortunate since the title of the movie has Staten Island in it. The firehouse where Scott ultimately ends up is also drab and dreary and could be any number of firehouses in New York. The script itself is interesting because, for two men known for their comedy, this movie is more serious and dramatic than an audience would expect.
If you go into the movie knowing what to expect you will find a heartwarming, realistic story with some terrific characters. If you go in expecting Apatow's usual comedic flair you may be disappointed as the laughs aren't as numerous as his previous films. However, While it may be different for Apatow and Davidson, it is none the less entertaining while attempting to tell a sweet story with a moral and a lesson snuck in here and there.
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