Cruella Theatrical Review

By May 27, 2021 09:42 AM EST

Cruella's visuals are intricate, and intriguing inviting the audience to come inside and explore.

Cruella Theatrical Review

Let's face it, Disney has some of the best-animated villains of all time, especially the female ones.  From the Evil Queen in Snow White and the Seven Dwarfs to Maleficent in Sleeping Beauty to Ursula in The Little Mermaid, they are the epitome of pure evil.  Of course, somewhere towards the top of the list lies the woman who steals dogs so she can make a coat – Cruella De Ville.  

First introduced in the 1956 novel, The Hundred and One Dalmatians, Disney animators brought her to life five years later in the animated feature of the same name.  But have you ever wondered what makes someone so cruel?  Well, guess no more, as Disney's latest live-action film, Cruella, offers a backstory as an explanation as to why Cruella is so evil.  The highly anticipated feature will open in theaters and air on Disney+ with Premier access on May 28, 2021.

Estella (Emma Stone; LaLaLand) was always a handful, even as a young child.  She was quirky, different, and had a unique sense of style.  Despite her mother's (Emily Beecham; Daphne) warnings, she couldn't stay out of trouble until she eventually was expelled from school. Looking for a new start, Estella and her mother packed up and left town.  

However, on their way to a new location, they stopped off at acclaimed fashion designer Baroness von Hellman's (Emma Thompson; Saving Mr. Banks) mansion.  Excited and unwilling to wait in the car, Estella gets chased by the Baroness' Dalmatians and Estella watches as they send her mother off the side of a cliff.  Orphaned, Estrella meets up with some kids and the three of them become petty thieves.  Years later, Estella gets her dream job as a member of the Baroness' staff but quickly learns working with her fashion idol isn't all it's cracked up to be.

Cruella isn't only a story about a young girl's internal struggle, it is the "battle of the Emmas".  Stone's portrayal of a wild child who can "button it up" when she needs to is wonderful, almost bordering on Schizophrenic.  Thompson oozes pure evil from every pore of her body so much so that as a viewer, you wouldn't mind stabbing a dagger into her heart yourself.  Supporting cast members Joel Fry (Yesterday), Paul Walter Hauser (Richard Jewell), and Mark Strong (Kingsman: The Secret Service) are excellent as they let their female leads shine.  

Cruella's visuals are intricate, and intriguing inviting the audience to come inside and explore.  The fashion and costume designs are breathtaking helping to establish the Baroness as an icon and introducing "Cruella" to the world.  Director Craig Gillespie (I, Tonya) utilizes these props extremely well without letting them overpower the two female powerhouses portraying the central characters.  The music is an eclectic mix (much like the character Estella) of popular songs, however, there are times when the pacing is off and moments when the film seems to drag a little.  There are scenes that could have been cut without changing the film at all.  I am also curious how the Panther De Ville Estella steals has the steering wheel on the left side of the car, considering the movie takes place in England.

Overall, Cruella ends up being an origin story of sorts and reminds the audience of the idea of not judging others unless you have walked a mile in their shoes.  Many may think this film is appropriate for children, but it has a PG-13 rating for a reason.  It is dark, gritty, and serious; a true drama disguised in a shiny Disney package.

As per Disney standards, the production values are high and the story and cast entertaining. There is some "fluff" padded here and there but Cruella is a solid film worth watching.

Grade: B

 

 


Purchase Soundtrack   Listen to the Cruella soundtrack on Apple Music.


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MPAA Rating: PG-13
Running Time: 134 minutes
Distributed By: Walt Disney Pictures

For more information about Cruella visit the FlickDirect Movie Database.

About Allison Skornick-Rose





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