Pride, Prejudice and Zombies (2016) Review

By Nathan M Rose   X Formly Known as Twitter
2 Min Read

The studio directive of keeping Pride, Prejudice and Zombies PG-13/kid friendly, as well as the sloppy editing of Padraic McKinley, will certainly contribute to this film not becoming a cult hit.

Author Seth Grahame-Smith's work came to the attention of modern movie-goers with the 2012 release Abraham Lincoln: Vampire Hunter, based upon his book of the same name. Now, in 2016, after a couple of years of being in production with several different directors and leading ladies, his New York Times bestselling novel Pride and Prejudice and Zombies makes its way to the silver screen.

If your a fan of the original Jane Austin book, the story should sound familiar (with a little twist that is). A zombie outbreak has fallen upon the land of England. So much so that young adults are taken to China or Japan to learn training on how to beat this scourge if it ever appears on their front door. Even though this zombie "plague" has overrun the country, not all of society has been lost. There are still the have's and have not's, as well as ones that value pride over anything else.

Originally slated as a Natalie Portman action vehicle with  David O. Russell directing, both bowed out due to scheduling conflicts (Portman stayed on as producer). After a few more directors and leading ladies were thrown into the mix, production started starring Lily James (Downton Abbey) and  Burr Steers (Charlie St. Cloud) as the director.

Normally, a film with such troubling pre-production usually points to a very bad finished product. However, Pride and Prejudice and Zombies actually succeeds at being quite entertaining. The main cast, comprised of James, Sam Riley (Maleficent), Matt Smith (Doctor Who), Douglas Booth (Jupiter Ascending), and Bella Heathcote (Dark Shadows), are all great in their roles. You can tell there is great chemistry between the actors and they approached the material with great enthusiasm. James is comfortable in the role of Elizabeth Bennet and appears born to play the zombie hunting version of this classic character.

Steers also provided his own unique tone to the film, adding some great comic relief to a horror/action film: however,  the studio directive of keeping it PG-13/kid friendly, as well as the sloppy editing of Padraic McKinley (Kingdom), will certainly contribute to this film not becoming a cult hit.

Through various interviews with FlickDirect, the cast and crew mentioned how hard they trained for stunts and sword work for the film. However, with all the quick cuts and "family friendly" fighting, the film falls flat and feels fake instead of having audiences members become fully vested in the film.  It's a shame because, with material like this, there could have been so much more depth and action than what ultimately ended up in the movie.

Pride and Prejudice and Zombies is a slick, quirky action/comedy/drama that certainly had the potential to be the first of 2016s great action films. If you accept the film for what it is, it is quite enjoyable. However, the mindset of its producers to make "childlike" fare (think Buffy The Vampire Slayer in corsets), and not create a true vision of Zombie mayhem in turn of the century England, makes this film forgettable after you leave the theater.

Grade: C+

For more information about the making of Pride and Prejudice and Zombies, read our Comic-Con interview with the cast and crew, and watch our interview with Lily James, Matt Smith, and Douglas Booth below.

Directed By:
MPAA Rating: PG-13
Running Time: 108 minutes
Distributed By: Screen Gems

Stream from Amazon Prime
Purchase Pride, Prejudice and Zombies from the iTunes store.

For more information about Pride, Prejudice and Zombies visit the FlickDirect Movie Database. This release has been provided to FlickDirect for review purposes. For more reviews by Nathan M Rose please click here.

Pride, Prejudice and Zombies images are courtesy of Screen Gems. All Rights Reserved.

FlickDirect, Nathan M Rose

Nathan M Rose is the CEO of FlickDirect Inc. He's is a movie historian, critic, enthusiast, and award-winning podcaster with extensive industry knowledge recognized by news organizations. Nathan believes we might be living in a "Matrix"-like simulation, adding an intriguing perspective to his expertise. Follow Nathan's movie journey on his Letterboxd account.


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